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Hexagram 23 · Bo 剝

Splitting Apart

A contemporary reflection · Editorial

Protect the essentials.

When a structure is coming apart, not every part can be held in place. Consider what remains worth protecting.

What is essential beneath the things that are changing?

Written for reflection. This is neither a translation nor a personal prediction.

From the source · Translated commentary
The hexagram Bo symbolizes the situation where yang qi is about to be stripped away by yin qi. Among the six lines, only Shang Jiu remains yang, suspended at the top, like a fading sun about to disappear, evoking the desolation of “the setting sun like blood.” In this situation, Chu and Er are “inauspicious” due to “stripping”; Liu San strips but is “without blame”; Liu Si faces disaster in the way of stripping because it is close to the skin; Liu Wu is “nothing that is not favorable” because it is close to the yang of Shang Jiu; Shang Jiu uses the metaphor of a “large fruit” to illustrate the preciousness and importance of yang qi, and reminds people to guard against “petty men” exploiting the large fruit.

Yang Tiancai and Zhang Shanwen. Zhouyi (The Book of Changes) (2011), source-file page 235. Machine-translated English draft; not yet scholar-reviewed. This is commentary, not a new prediction.

Read the chapter & page references ↗
From the expanded library · Editorial study

Earth below, Mountain above: read the relationship

The lower trigram contributes receptivity and support; the upper contributes stopping and stillness. These qualities belong to one configuration, not two separate verdicts. Consider how they might support, interrupt or place limits on one another. This comparison is a modern learning exercise informed by the traditional trigram vocabulary, not a replacement translation of the hexagram’s Judgment.

Earth: What needs support, and what boundary would make that support sustainable? Mountain: What should pause now, and what would tell you that it is time to move again? You may find that neither image fits; the question and your actual circumstances remain more important than forcing a match.

Source context · 4 perspectives

Source-led editorial summaries, not literal translations or predictions. Selected passages have been compared with Chinese OCR; the books still await scholarly review.

Eight images, more than eight objects

Zhang Shanwen distinguishes a trigram’s natural image from its symbolic quality. Heaven, earth, thunder, wind, water, fire, mountain and lake are starting images; their applications depend on context, rather than on a literal resemblance to the object.

The original scan table and surrounding paragraph were also visually checked. The draft adds an unreliable bracketed gloss to Xun; our editorial label uses entering or gentle penetration, not the bracketed ‘human beings’. The preserved page is unchanged.

Dictionary of the Zhou Changes, Revised Edition · source page 113 →

Read the two trigrams together

Liu Dajun illustrates interpretation through configuration: Meng places water or danger below mountain or stopping; Xu places strength below water or danger ahead. The examples show why combining images is more useful than reading each name in isolation.

These are the author’s examples, not a universal inside/outside psychological formula. His separate argument about the dating of the commentaries is not adopted as settled consensus.

Introduction to the Zhou Changes, Expanded Edition · source page 27 →

The lines and the image do different jobs

Lin Zhongjun distinguishes the line patterns from the things they represent. In a reading, the lines tell you which pattern you drew; images such as water or a mountain give you a way to think about it. An image does not have to describe your situation literally to help you ask a useful question.

The selected paragraph was compared with Chinese OCR and the original scan. The practical application is our editorial explanation, not a claim that an image establishes facts about the customer. The page’s list of later interpretive techniques does not enable those techniques on the website.

History of Image-and-Number Learning in the Zhou Changes, Volume I: Pre-Qin, Han, and Tang · source page 5 →

Use the image as a mirror

Lin Zhongjun quotes Lai Zhide comparing images to mirrors: they can hold more than one meaning without being literal records of events. For your question, look for what the image helps you notice. You can take a helpful insight without treating every detail as something that must happen.

The quoted mirror comparison was checked against the scan. The English opening mishandles a sentence continued from source page 68; that wording is not used here. The draft’s ‘Great Plan’ gloss for Yumo is also not relied on. This summarizes Lai’s approach, not an agreed rule of every school.

History of Image-and-Number Learning in the Zhou Changes, Volume III: Ming and Qing · source page 69 →